Thank you graphic artist Henning Wagenbreth and coastal geologist Orrin Pilkey November 15, 2012
Posted by Jill S. Schneiderman in art, beach erosion, climate change, global warming, Hurricane Sandy, Orrin Pilkey, science, sea-level rise, slow violence.add a comment
As a follow-up to my op-ed yesterday, “Science Fiction Science Fact,” I’d like to call to readers’ attention the Op-Ed in today’s New York Times by Orrin Pilkey. Orrin of course hits all the salient points. Blessings to him for never tiring of trying to get people to face the reality of beach erosion.
Significantly for me, the illustration that accompanies Orrin’s op-ed directly answers my final imploring question: “Will an artist please render that scientific fact?” [The fact of inevitable beach erosion]. Graphic artist Henning Wagenbreth has done so. His image shows a dark storm cloud exhaling wind above a stormy sea whose waves tickle the feet of a fleeing beach house that carries with it an uprooted tree and automobile. With words and images, Pilkey and Wagebreth bring science and art together to once again try to capture the reality of today and tomorrow.
From Science and Art, Global Warming is Real November 2, 2012
Posted by Jill S. Schneiderman in Anthropocene, art, climate change, disasters, global warming, Hurricane Sandy, science, sea-level rise.add a comment
So what if global warming isn’t directly responsible for “superstorm Sandy”? Let’s not get hung up on that minor detail.
Because the planet has warmed–the average surface temperature of the Earth rose 1.08°F to 1.62°F (0.6 to 0.9 °C) between 1906 and 2006— the cryosphere has melted, moving H2O from the ice caps to the oceans.
Markers show the dramatic retreat of the Athabasca Glacier, photo Judd Patterson
And seawater has literally expanded. As a result, sea level has risen—worldwide measurements of sea level show a rise of about 0.56 feet ((0.17 meters) during the twentieth century.
Earlier this week Hurricane Sandy pushed the sea onto land in coastal regions that are today more “low-lying” than they were a century ago. Images are still coming in of the devastation caused by such mass movement of water along parts of the northeastern coast. Earth behaved as predicted and revealed the increased risk to which we have subjected ourselves.
At a time when scientists have been convicted of not making good predictions may I be the first to congratulate Dr. Jianjun Yin, a climate modeler at the Center for Ocean-Atmospheric Prediction Studies (COAPS) at Florida State University, and colleagues Michael Schlesinger of the University of Illinois at Urbana-Champaign and Ronald Stouffer of Geophysical Fluid Dynamics Laboratory at Princeton University? In 2009 these folks published their analysis of data from ten state-of-the-art climate models and warned that, considering its population density and the potential socioeconomic consequences of such changes, the northeast coast of the U.S. is one of the areas most vulnerable to changes in sea level and ocean circulation.
Yin and his colleagues advised that, since much of the New York City metro region is less than 16 feet above mean sea level—with some parts of lower Manhattan only about 5 feet above it—a sea level rise of eight inches could be catastrophic. New York City would be at great risk, they added, for damage from hurricanes and winter storm surge (emphasis mine). Yin et al are the Hurricane Sandy analogs of scientists at Louisiana State University whose models of storm tracks led a reporter for Scientific American to presage in 2001 “New Orleans is a disaster waiting to happen.”
Yin’s study, “Model Projections of Rapid Sea-Level Rise on the Northeast Coast of the United States,” produced this artist’s rendering of a flooded Manhattan.
But the images below are no artist’s rendering. They are photographs of water inundating the Metropolitan Transportation Authority’s new South Ferry Terminal.
The trees and map along the walls are part of a site-specific art installation, See it Split, See it Change (2005-2008) made of fused glass, mosaic marble, and stainless steel by Doug and Mike Starn. The work of these artists has articulated themes of impermanence and transience.
Let’s heed the message from both science and art. Can we all just pay attention to the Earth?
earthdharma.org 